Constructing ‘corrupted village wives and urban men’ through multilingual performances

Abstract

AbstractThis article analyzes the sociolinguistic construction of two gendered figures in multilingual performances, namely a category of young Mongol wives in rural societies who challenge patriarchal social order, and a group of young urban Mongol men whose dream is to be rich and indulge themselves in luxury. By drawing on the analytical framework of stance and stylization, the study analyzes how the performers’ multivalent stance-taking towards constructed personas and specific social-moral orders are communicated through their skillful stylization of multilingual resources in Inner Mongolia. It also points out that language stylization and stance-taking, taking place in reference to local cultural values and linguistic ideologies, are anchored in continually evolving ethnic, gender, and class relationships in a changing, minoritized Mongolian society in the context of Chinese modernization and capitalist marketization. (Stance-taking, language stylization, gendered discourses, Mongols, multilingualism)*