Re-thinking the Veil, Jihad and Home in Fadia Faqir’s Willow Trees Don’t Weep (2014)

Author:

Sarnou Dallel

Abstract

Abstract In her latest novel Willow Trees Don’t Weep(2014), the writer Fadia Faqir decided to go against the grain as a Muslim woman coming from the Middle East but lives in Britain and write about jihad, terrorism and Taliban. In this novel, the author negotiates meanings of secularism, fundamentalism, jihad, fathering, women and wars. The novel’s protagonist, Najwa is torn between her mother’s secularism and her father’s religious fundamentalism. In her homeland, Amman, Najwa is different from many other girls of Amman because she does not wear the headscarf that represents hijab, a religious garment, in many Muslim countries. However, when she travels to Afghanistan to trace her father, Najwa meets women wearing the burqaa, a head-to-toe veil. This might be an unexpected re-consideration of this garment as a symbol of freedom because she met veiled women who are self-determined and emancipated from within. Therefore, this article sets out to explore how the novel’s protagonist re-considers the veil, home and self-discovery.

Publisher

Walter de Gruyter GmbH

Subject

General Social Sciences,General Arts and Humanities

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1. Cultural Hybridity in Fadia Faqir's Willow Trees Don't Weep;Journal of Tikrit University for Humanities;2022-08-10

2. A Sociolinguistic Analysis of Alienation in Fadia Faqir's My Name is Salma;Applied Linguistics Research Journal;2020

3. ‘Shakespeare Had the Passion of an Arab’;Critical Survey;2018-12-01

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