Part II. Drama / Choreography5. Theater Dance Atelier

Author:

Enache Lorette1

Affiliation:

1. “George Enescu” National University of Arts from Iaşi, Romania

Abstract

Abstract The substance of the spiritual and cultural life is the syncretism of the arts from the performer-spectator division, that was made concurrently with the “dance” segmentation into work and pleasure. Words were held in formulas, gestures and dance in rhythm. Today, dance is mostly seen as the art of gesture. However, it is remarkable to reflect at to what extent the dance, as an organic necessity, it could further develop into hermetic structures that would still require analyses and studies from researchers in the field. In today‟s theatrical landscape, this formula of artistic expression which was called theatre dance evolved so much so that gesticulations and body exploration became its core components.

Publisher

Walter de Gruyter GmbH

Reference5 articles.

1. 1. Boal, A. (2005). Jocuri pentru actori și non-actori. Teatrul oprimaților în practică. București: Fundația Concept.

2. 2. Lecoq, J. (2009). Corpul poetic. Oradea: ArtSpect.

3. 3. Michel, M., Ginot, I. (2011). Dansul în secolul XX. București: Art.

4. 4. Șerbănescu, G. (2007). Dansul contemporan - sensuri ale corpului. București: Fundația Culturală ,,Camil Petrescu”.

5. 5. Țuțea, P. (1993). Lumea ca teatru. București: Vestală.

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