Learning to Let Go: Ownership, Rights, Fees, and Permissions of Readers’ Photographs

Author:

Green Daryl1

Affiliation:

1. Head of Special Collections, University of Edinburgh Edinburgh United Kingdom of Great Britain and Northern Ireland

Abstract

Abstract This article explores the variance in attitudes towards user photography in UK libraries, archives, and museums. It examines the various interpretations of copyright and rights to reproduce images of items in the public domain deployed by cultural heritage institutions, the cost structures for user photography in the reading room, and the historic reasons for these decisions. Finally, this article explores the impact of the multiplicity of regulations on the researcher and the benefits of a clear and open approach to access and to the new research methods being employed by readers.

Publisher

Walter de Gruyter GmbH

Subject

Literature and Literary Theory,Linguistics and Language,Language and Linguistics

Reference16 articles.

1. Astle, Peter J. and Adrienne Muir. 2002. “Digitization and Preservation in Public Libraries and Archives”. Journal of Librarianship and Information Science 34: 67–79. .

2. Bodleian Libraries (group admin). 2015. “Bodleian Special Collections”. Created June 26. [accessed 12 August 2020].

3. Dobson, Kimberly. 2009. “The Originality of Photographs for Purposes of Copyright Law before and after Bridgeman Art Library, Ltd. v. Corel Corp”. Florida Coastal Law Review 10: 319–347.

4. Dryden, Jean. 2011. “Copyfraud or Legitimate Concerns? Controlling Further Uses of Online Archival Holdings”. The American Archivist 74: 522–543. .

5. Erickson, Kris, Paul Heald, Fabian Homberg, Martin Kretschmer and Dinusha Mendis. 2015. Copyright and the Value of the Public Domain: An Empirical Assessment. London: Intellectual Property Office. [accessed 12 August 2020].

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