Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest
Author:
Publisher
Informa UK Limited
Subject
Communication
Link
http://www.tandfonline.com/doi/pdf/10.1080/15405700802198113
Reference64 articles.
1. Baker, C. 2006. When Seve met Bregović: Folklore, turbofolk and the boundaries of Croatian musical identity. Presented at AAASS Conference. 2006, Washington, DC. pp.16–19.
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