Colliding Feminisms: Britney Spears, “Tweens,” and the Politics of Reception-Reference-Cited by-同舟云学术

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Colliding Feminisms: Britney Spears, “Tweens,” and the Politics of Reception

Published:2003-01 Issue:2 Volume:26 Page:123-140
ISSN:0300-7766
Container-title:Popular Music and Society
language:en
Short-container-title:Popular Music and Society

Author:

Lowe Melanie

Publisher

Informa UK Limited

Subject

Music,Cultural Studies

Link

http://www.tandfonline.com/doi/pdf/10.1080/0300776032000095477

Reference2 articles.

1. Bradby, Barbara. "Freedom, Feeling and Dancing: Madonna's songs traverse girls' talk." Gendering the Reader. Ed. Sara Mills. New York: Harvester Wheatsheaf, 1994. 67-96.

2. Brown, Lyn Mikel. Raising Their Voices: The Politics of Girls' Anger. Cambridge, MA: Harvard UP, 1998.

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1. Beauty and the breasts: constructions of feminist sexual politics in vanity fair’s 2017 Emma Watson photoshoot;Feminist Media Studies;2022-11-30

2. Deconstructing Britney Spears: stardom, meltdown and conservatorship;Journal for Cultural Research;2021-10-02

3. Lazarus Rises: The Migrant Fandom of David Bowie;The Fandom of David Bowie;2019

4. Chapter 2 From “Old Boy” To “Gender Progressive”: The Shifting Gender Story of Funeral Work in Trade Journal Publications;Advances in Gender Research;2018-10-30

5. So You’ve Been Musically Shamed;Journal of Popular Music Studies;2018-09

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