From copycat to copyright: intellectual property amendments and the development of Chinese online video industries

Author:

Gilardi Filippo1ORCID,White Andrew2ORCID,Chen Zhen Troy3ORCID,Cheng Shuxin1,Song Wei1,Zhao Yifan1

Affiliation:

1. School of International Communications, Faculty of Humanities & Social Sciences, University of Nottingham Ningbo China, Ningbo, Zhejiang, China

2. School of History, Philosophy and Culture, Oxford Brookes University, Oxford, UK

3. London College of Communication, University of the Arts London, UK

Funder

Ningbo Social Science Research Base on Internationalizing Ningbo’s Screen Industries

Ningbo Science and Technology Bureau as part of the match-funding scheme for the AHRC Centre for Digital Copyright and IP Research in China

The Creative and Cultural Industries Research Priority Area of the University of Nottingham

Research Committee of the School of International Communications of the University of Nottingham Ningbo China

Publisher

Informa UK Limited

Subject

Sociology and Political Science,Cultural Studies

Reference97 articles.

1. Asia Video Industry Association. 2018. Online Video Industry: China 2018 . Accessed 13 February 2022. https://asiavia.org/wp-content/uploads/2018/10/PUB-Online-Video-Industry-China-Exec-Summary-2018.pdf

2. Barraclough, E. 2016. “The Rise of China’s Film Industry.” WIPO Magazine, April. Accessed 13 February 2022. http://www.wipo.int/wipo_magazine/en/2016/02/article_0004.html

3. Beijing, Z. 知产北京. 2016. “fenggang faguan zai ‘ershiyishiji zhishichanquan luntan’shangde fayan.” 知产北京, 知产北京. Accessed 13 February 2022. https://mp.weixin.qq.com/s?__biz=MzI3OTA3MjQ3Mw==&mid=2650265577&idx=2&sn=16622332295a0784d9454d7ac48d57d3&scene=1&srcid=0602oM6lQSWlvufTqMl3HylK&from=singlemessage&isappinstalled=0#wechat_redirect

4. Ethical limits to the intrusiveness of online advertising formats: A critical review of Better Ads Standards

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