Re-Contextualising Breakdance Aesthetics: Performance, Performativity, and Re-Enaction of Breakdancing in Uganda-Reference-Cited by-同舟云学术

Re-Contextualising Breakdance Aesthetics: Performance, Performativity, and Re-Enaction of Breakdancing in Uganda

Published:2022-10-02 Issue:4 Volume:34 Page:404-421
ISSN:1369-6815
Container-title:Journal of African Cultural Studies
language:en
Short-container-title:Journal of African Cultural Studies

Author:

Mabingo Alfdaniels¹^ORCID

Affiliation:

1. Department of Performing Arts and Film, Makerere University, Kampala, Uganda

Publisher

Informa UK Limited

Subject

Literature and Literary Theory,Linguistics and Language,Music,Visual Arts and Performing Arts,Language and Linguistics,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/13696815.2022.2132473

Reference53 articles.

1. Abele, Robert. 2015. “Review: ‘Shake the Dust’ Shows Break Dancing’s Effect on World’s Poor.”Los Angeles Times.14 May. Accessed 16 September 2022. https://www.latimes.com/entertainment/movies/la-et-mn-shake-the-dust-review-20150515-story.html.

2. Adekunle, Emmanuel. 2018. “Discover the Meaning and Importance of the Cypher in Breaking.”Red Bull.26 April. Accessed 17 September 2022. https://www.redbull.com/us-en/the-importance-of-the-cypher.

3. Constructing the African City Through Hip-hop in “Nai Ni Ya Who?” by Muthoni the Drummer Queen

4. LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL

5. Baranga, Samson. 2013. “Kalabanda is Here to Thrill You.”The Observer.26 September. Accessed 29 September 2022. https://www.observer.ug/component/content/article?id=27680:kalabanda-is-here-to-thrill-you.

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