How effective are international copyright conventions in the music industry?-Reference-Cited by-同舟云学术

How effective are international copyright conventions in the music industry?

Published:1996-03 Issue:1 Volume:20 Page:51-66
ISSN:0885-2545
Container-title:Journal of Cultural Economics
language:en
Short-container-title:J Cult Econ

Author:

Burke Andrew E.

Publisher

Springer Science and Business Media LLC

Subject

Economics, Econometrics and Finance (miscellaneous)

Link

http://link.springer.com/content/pdf/10.1007/s10824-005-1060-z.pdf

Reference12 articles.

1. Alloway, N. (1983) “Activities and Achievements”, in John Borwick (ed.), The First Fifty Years: Celebrating the Fiftieth Anniversary of the IFPI. IFPI, London, pp. 7–13.

2. Burke,.E. (1995) “The Dynamics of Product Differentiation in the British Record Industry”, Trinity Economic Papers, Technical Paper No. 1, March 1995, Trinity College, Dublin and also forthcoming in the Journal of Cultural Economics.

3. Carr, J. (1987) “Turkey: The Tide is Turning”, 20 Years of Record Piracy. Billboard, January 24, 1987.

4. Davies, G. (1991) “Digital Audio Tape and New Technology”, IFPI 1991 Review: The Challenge of the 1990s. IFPI, London.

5. IFPI (ed.), (1987) “20 Years of Record Piracy”, Billboard, January 24, 1987.

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