Digital Technologies and Music Digitisation: Challenges and Opportunities for the Nepalese Music Industry

Author:

Giri Subash1

Affiliation:

1. Department of Music , University of Alberta , Edmonton , Alberta , Canada

Abstract

Abstract This paper investigates the current legitimate digital music business trends and models created by the innovation of new digital technologies and examines their pertinence in the Nepalese music industry. Further, it scrutinises neighbouring music markets and juxtaposes the Nepalese music market against their current market trends. Based on eight in-depth semi-structured interviews with executives and stakeholders of different major, medium and independent Nepalese record labels, the paper examines two questions: what is preventing Nepalese recorded music from being found digitally and accessible legally; and what are the opportunities, gaps and requirements that confront the search for a commercially viable route for the optimal digital music business model to make Nepalese music digitally and legally accessible, both locally and globally?

Publisher

Walter de Gruyter GmbH

Reference67 articles.

1. Adermon, A. & Liang, C.-Y. (2014) “Piracy and Music Sales: The Effects of Anti-Piracy Law”, Journal of Economic Behavior and Organization, vol. 105, pp. 90–106.

2. Aljazeera (2020) “Nepal's film industry looks beyond Bollywood”. Available at https://www.aljazeera.com/indepth/features/2014/07/nepal-film-industry-looks-beyond-bollywood-2014714104224592144.html (January 25, 2020).

3. Arewa, B. O. (2010) “YouTube, Ugc, And Digital Music: Competing Business And Cultural Models In The Internet Age”, Northwestern University Law Review, vol. 104, no. 2, pp. 431–475.

4. Arthur, W. B. (2009) The Nature of Technology: What It Is and How It Evolves. Free Press, New York.

5. Bach, D. (2012) The Dark Side of The Tune: The Hidden Energy Cost of Digital Music Consumption, Music Tank, UK.

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