Ancient Greek tragedy in China: focusing on Medea adapted and performed in Chinese Hebei clapper opera

Author:

Chen RongnyuORCID,Yan Tianjie

Funder

Chinese National Social Science Foundation

Fundamental Research Funds for the Central Universities

Publisher

Springer Science and Business Media LLC

Subject

Social Sciences (miscellaneous),Arts and Humanities (miscellaneous)

Reference21 articles.

1. Benjamin, W. (2000). The task of translator. In L. Venuti (Ed.) & M. Baker (Advisory Ed.): The translation studies reader. London and New York: Routledge.

2. Bharucha, R. (1993). Theater and the world: Performance and the politics of culture. London and New York: Routledge.

3. Cai, Y. (1996). Qiantan hebeibangzi Meidiya gaibian de deyushi [Analysis of gains and losses of adaptation of Hebei clapper opera Medea]. Dawutai [Great stages], 3(3), 68–69.

4. Evans, A. M. (2003). The evolving role of the director in xiqu innovation. Dissertation for doctor of philosophy in theater of University of Hawaii.

5. Gong, B. (2012). Cong Hamuleite dao wangzifuchouji—yize kuawenhua xiju de anli [From Hamlet to Peking opera Hamlet—a case study of intercultural theater]. Xiju yishu [Theater arts], 35(2), 71–75.

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