Touching the audience: musical haptic wearables for augmented and participatory live music performances-Reference-Cited by-同舟云学术

Touching the audience: musical haptic wearables for augmented and participatory live music performances

Published:2020-03-24 Issue:4 Volume:25 Page:749-769
ISSN:1617-4909
Container-title:Personal and Ubiquitous Computing
language:en
Short-container-title:Pers Ubiquit Comput

Author:

Turchet Luca,West Travis,Wanderley Marcelo M.

Funder

H2020 Marie Skłodowska-Curie Actions

Natural Sciences and Engineering Research Council of Canada

Publisher

Springer Science and Business Media LLC

Subject

Management Science and Operations Research,Computer Science Applications,Hardware and Architecture

Link

https://link.springer.com/content/pdf/10.1007/s00779-020-01395-2.pdf

Reference59 articles.

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2. Armitage J, Ng K (2015) Configuring a haptic interface for music performance. In: Proceedings of the Conference on Electronic Visualisation and the Arts, pp. 41–45. British Computer Society

3. Armitage J, Ng K (2015) Feeling sound: exploring a haptic-audio relationship. In: International Symposium on Computer Music Multidisciplinary Research, pp. 146–152. Springer, Cham. https://doi.org/10.1007/978-3-319-46282-0_9

4. Armitage J, Ng K (2014) Tactile composition: configurations and communications for a musical haptic chair. In: Proceedings of the International Computer Music Conference

5. Boer L, Cahill B, Vallgårda A (2017) The hedonic haptics player: a wearable device to experience vibrotactile compositions. In: Proceedings of the 2017 ACM Conference Companion Publication on Designing Interactive Systems, pp. 297–300

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