1. Armitage, J., Ng, K.: ‘Unheard’ sounds. In: Electronic Visualisation and the Arts (EVA), British Computer Society, London, UK (2015)
2. Barrett, N.: Ambisonics and acousmatic space: a composer’s framework for investigating spatial ontology. In: Electroacoustic Music Studios Conference (2010)
3. Bidima, J.G.: Music and the socio-historical real: rhythm, series and critique in Deleuze and O. Revault d’Allonnes. In: Buchanan, I., Swiboda, M. (eds.) Deleuze and Music. Edinburgh University Press, Edinburgh (2004). (Transl.: J. Griffiths)
4. Dewey-Hagborg, H.: Buried Sound 2: Haptic Resonance (2011). http://www.deweyhagborg.com/hapticResonance/
5. Glennie, E.: Hearing Essay (1993). https://www.evelyn.co.uk/hearing-essay/