The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries-Reference-Cited by-同舟云学术

The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries

Published:2020 Issue: Volume: Page:79-95
ISSN:
Container-title:Popular Music, Technology, and the Changing Media Ecosystem
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Author:

Barna Emília

Publisher

Springer International Publishing

Link

http://link.springer.com/content/pdf/10.1007/978-3-030-44659-8_5

Reference37 articles.

1. Austerlitz, Saul. 2014. “The Pernicious Rise of Poptimism.” The New York Times, April 4. https://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html .

2. Azenha, Gustavo S. 2006. “The Internet and the Decentralisation of the Popular Music Industry: Critical Reflections on Technology, Concentration and Diversification.” Radical Musicology 1: 125 pars.

3. Bannister, Matthew. 2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot and Burlington, VT: Ashgate.

4. Barna, Emília. 2017. “‘The Perfect Guide in a Crowded Musical Landscape’: Online Music Platforms and Curatorship.” First Monday 22 (4). https://firstmonday.org/ojs/index.php/fm/article/view/6914/6086 .

5. ———. 2018. “Curators as Taste Entrepreneurs in the Digital Music Industries.” In Popular Music in the Post-digital Age: Politics, Economy, Culture and Technology, edited by Ewa Mazierska, Leslie Gillon, and Tony Rigg, 253–267. London, Oxford, New York, New Delhi, and Sydney: Bloomsbury.

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