1. La « dispute pour la culotte ». Variations littéraires et iconographiques d'un thème profane (XIIIè-XVIè siècles)
2. A Man’s Breeches as the Object of Women’s Affections: A Unique Painting by the Antwerp Genre Painter Hiëronymus Janssens (1624–1693)
3. On the masculine connotations of holding one's arm akimbo, see Joaneath A. Spicer, 'The Renaissance Elbow', in A Cultural History of Gesture: From Antiquity to the Present Day, ed. by Jan Bremmer and Herman Roodenburg (Cambridge: Polity Press, 1991), pp. 84-128
4. Zirka Zaremba Filipczak, 'Portraits of Women Who "Do Not Keep Strictly to the Masculine and Feminine Genders, as They Call Them"', in Pockerfaced: Flemish and Dutch Baroque Faces Unveiled, ed. by Katlijne Van der Stighelen, Hannelore Magnus and Bert Watteeuw (Turhnout: Brepols, 2010), pp. 229-48, esp. p. 231. I thank Guido Giulio Beduschi for bringing this image to my attention.