Abstract
Dance genres sometimes require categorisation and this article addresses a collective for which no universally-accepted terminology has been located. Using the example of the author's doctoral research in Australia, four alternatives are examined in turn: ‘folk’, ‘ethnic’, ‘world’ and ‘traditional’, with analysis of the advantages and problems embedded in each term. Discussion of the Australian social and political environment exemplifies pertinent location-specific issues that need to be addressed when making taxonomic choices. The article aims to stimulate further discursive commentary and encourage epistemological and linguistic clarity among dance scholars.
Publisher
Edinburgh University Press
Subject
Visual Arts and Performing Arts
Cited by
3 articles.
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