Science and film-making

Author:

Gouyon Jean-Baptiste1

Affiliation:

1. University College London (UCL), UK

Abstract

The essay reviews the literature, mostly historical, on the relationship between science and film-making, with a focus on the science documentary. It then discusses the circumstances of the emergence of the wildlife making-of documentary genre. The thesis examined here is that since the early days of cinema, film-making has evolved from being subordinate to science, to being an equal partner in the production of knowledge, controlled by non-scientists.

Publisher

SAGE Publications

Subject

Arts and Humanities (miscellaneous),Developmental and Educational Psychology,Communication

Reference64 articles.

Cited by 22 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Watching birds: observation, photography and the ‘ethological eye’;The British Journal for the History of Science;2023-09-19

2. Van Leeuwenhoek – the film: remaking memory in Dutch science cinema 1925–c.1960;The British Journal for the History of Science;2023-05-22

3. 360° Video for Research Communication and Dissemination: A Case Study and Guidelines;IEEE Transactions on Professional Communication;2023-03

4. Documentary Plasticity;A Companion to Documentary Film History;2021-04-09

5. Differences in knowledge, uncertainty, and social context in four medical TV series from Taiwan, Japan, South Korea and the United States;Journal of Science Communication;2021-01-11

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