Affiliation:
1. MF Norwegian School of Theology, Religion and Society, Oslo, Norway
Abstract
This article focuses on the forging of a new iconography for Mahishasur, a ‘demon’ in Hindu mythology who was reclaimed by indigenous communities both as a ‘god’ and as a champion of their political autonomy. The public political ritual of venerating Mahishasur was deemed blasphemous by the Hindu nationalist party in power. Among clay-modellers of Bengal, the dominant ‘demon’ image of Mahishasur embodies the highly-valued skill of Naturalistic sculpture; but the movement needed a new benevolent image. Through interviews with image-makers and organisers of this political ritual in several villages of West Bengal, I will show how local aesthetic ideals of masculinity, virtue, and political ideology are expressed in the new aesthetic form(s) and iconographies of this emerging hero of Indian politics.
Subject
Arts and Humanities (miscellaneous),Archeology,Anthropology
Cited by
2 articles.
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