“We’re Off on Holiday” and Other Tropes

Abstract

This investigation draws on tropes of movement derived from Bauman to analyze recent “road movies” from prolific British director Michael Winterbottom, whose work is often characterized as confrontational toward the political and cinematic status quo. In addressing movement, the analysis also addresses the films’ contrasting postures toward globalization, where salient. Following a quick case study of Everyday (2012) that calls upon tropes of the tourist, traveler, and vagabond, In This World (2002) is interpreted as a quasi-fictional portrait of marginalized vagabonds that reveals the hard edges of an exclusionary global regime—as well as contradictions within that regime. By contrast, Genova (2008) is structured around privileged subjects’ extended travel experience as they partake of globalization’s benign opportunities for therapeutic discovery. Finally The Trip (2010) and The Trip to Italy (2014) stage tourism in largely affirmative, consumerist terms that reproduce male and class privilege, in a retreat toward conventionality in the filmmaker’s work.