Affiliation:
1. Department of Film-Video and Media Studies, Penn State, University Park, PA, USA
2. College of Communications, Penn State, University Park, PA, USA
Abstract
Class is an issue rarely foregrounded in advertising criticism, although the emphasis on consumption and commodity-defined images of the good life frequently makes advertising a class-oriented discourse. The degree and manner that advertising contains overt symbols and discussions of class may be influenced by the particular era in which a campaign appears. This article argues that several “postrecession” U.S. campaigns including for Buick, Allstate, and DirecTV make class comparisons explicit, as seen in “class shaming” strategies such as a ridicule of service workers, presenting the wealthy as victimized by the working class, and “lower-classface” performances that contrast class-based lifestyles. In such ads, representations of the working class are equated with losers, incompetents, and non-brand users in the ads, while affluent users and opulent lifestyles are celebrated. Final reflections focus on the ideological implications of more obvious depictions of class in current and future advertising.
Subject
Arts and Humanities (miscellaneous),Communication,Cultural Studies
Cited by
2 articles.
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