Visual power: The scopic regime of military drone operations

Abstract

This article analyzes how visual scopic regimes of military drones configure violence as a form of man hunting. For the French philosopher Grégoire Chamayou, man hunting embodies a type of cynegetic (hunting related) violence, which military drones can execute by power surveillance. Research often focuses on the political, legal, anthropological, and ethical aspects of this type of violence; the aspects of its visual framing are often underexposed. In order to change this shortcoming, this article draws attention to the medial aspects of this violence by investigating the drone’s scopic regime. The scopic regime refers to the drone’s visual configuration, i.e. its ocular operations of capture, its optical perspective on the target, the visual sensing of the drone pilot, as well as the target’s range of vision. Three scopic dimensions of military drones, namely hypervisibility, visual immersion, and invisibility are investigated. In doing so, this article explores how drones stage, interpret, convey, mediate, and execute violence as man hunting. Excursions to the works of contemporary visual artists are conducted in order to illustrate aesthetic interventions against the drone’s visual superpower.