Movement Experiences in Preschool Music Classes

Author:

Papazachariou-Christoforou Maria1ORCID

Affiliation:

1. European University Cyprus, Nicosia, Cyprus

Abstract

Active bodily involvement in music is a key component of musical understanding. Rudolf von Laban developed a movement framework introducing the “effort elements” of time, space, weight, and flow. He proposed that by experiencing combinations of these elements, individuals internalize a movement vocabulary that fosters expressive music performance. In this article, I discuss findings that have confirmed the importance of active bodily engagement in enhancing musical comprehension, and share practical considerations drawn from my experience in conducting preschool music classes based on Laban’s movement framework. The suggested playful activities provide music educators with a new perspective on incorporating movement in preschool music classes.

Publisher

SAGE Publications

Reference48 articles.

1. Blesedell D. S. (1991). A study of the effects of two types of movement instruction on the rhythm achievement and developmental rhythm aptitude of preschool children [Doctoral Thesis, Temple University]. https://www.proquest.com/dissertations-theses/study-effects-two-types-movement-instruction-on/docview/303965385/se-2?accountid=10394

2. Bremmer M. (2015). What the body knows about teaching music: The specialist preschool music teacher’s pedagogical content knowing regarding teaching and learning rhythm skills viewed from an embodied cognition perspective [PhD Thesis, University of Exeter]. https://ore.exeter.ac.uk/repository/bitstream/handle/10871/18010/PhD_MLVBremmer_final.pdf?sequence=1

3. Cross-cultural influences on rhythm processing: reproduction, discrimination, and beat tapping

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