The border spectacle during the pandemic: A bottom-up political economy of media within the American border regime

Abstract

This paper explores the ‘border spectacle’, namely the production and diffusion of images of immigration, in contemporary digital journalism to understand how the COVID-19 pandemic public health crisis overlapped with the dual semantics of illegalisation/victimisation of migrants. This article addresses a gap in the field of political economy of the border spectacle, conducting a bottom-up analysis of the socio-economic and material conditions under which visual narratives of migration and borders are produced and diffused in the case of Mexico. The methodology combines virtual ethnography and in-depth biographical/life stories interviews with three female reporter/photojournalists covering migration issues in Mexico and the Americas and producing accounts that differs significantly from the hegemonic iconography of migration. By analyzing the data collected between 2020 and 2021, we explore the extreme violence, precariousness and health risks, as well as strategies of self-support characterising these media professionals’ experiences. The analysis helps understand the rationale behind the political economy of the media during the COVID-19 pandemic and the lockdown in Mexico, as well as how the media’s structural frame exposes, amplifies and mediates migration in terms of ‘infectious’ and, therefore, a threat to national communities already vulnerable to the virus. Finally, we highlight the conflict between the purpose of the reporters, who want to provide empathetic, first-hand accounts of migration, on the one hand, and the commercial interests of mainstream media, which tends to seek to follow a hegemonic framing, make some of these images viral to create moral panic against migrants, on the other.