The Ambivalent Practices of Reflexivity

Author:

Davies Bronwyn1,Browne Jenny2,Gannon Susanne1,Honan Eileen3,Laws Cath4,Mueller-Rockstroh Babette5,Petersen Eva Bendix6

Affiliation:

1. University of Western Sydney

2. University of Newcastle

3. Deakin University

4. Fowler Road School

5. University of Maastricht

6. University of Copenhagen

Abstract

Reflexivity involves turning one’s reflexive gaze on discourse—turning language back on itself to see the work it does in constituting the world. The subject/researcher sees simultaneously the object of her or his gaze and the means by which the object (which may include oneself as subject) is being constituted. The consciousness of self that reflexive writing sometimes entails may be seen to slip inadvertently into constituting the very (real) self that seems to contradict a focus on the constitutive power of discourse. This article explores this site of slippage and of ambivalence. In a collective biography on the topic of reflexivity, the authors tell and write stories about reflexivity and in a doubled reflexive arc, examine themselves at work during the workshop. Examining their own memories and reflexive practices, they explore this place of slippage and provide theoretical and practical insight into “what is going on” in reflexive research and writing.

Publisher

SAGE Publications

Subject

Social Sciences (miscellaneous),Anthropology

Reference10 articles.

1. The Subject of Post-structuralism: A reply to Alison Jones

2. Death to Critique and Dissent? The Policies and Practices of New Managerialism and of 'Evidence-based Practice'

3. Becoming Schoolgirls: The ambivalent project of subjectification

4. Davies, B., Dormer, S., Honan, E., McAllister, N., O’Reilly, R., Rocco, S., et al. (1997). Ruptures in the skin of silence: A collective biography. Hecate. A Women’s Studies Interdisciplinary Journal, 23(1), 62-79.

5. (Re)presenting the Collective Girl: A Poetic Approach to a Methodological Dilemma

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