Police as cop show viewers

Abstract

Despite the popularity of Australian television drama and reality series featuring police, there has been a paucity of research into what these programs communicate about real world policing. These ‘cop shows’ are productive forms of public relations for police agencies, particularly the co-produced reality TV variety, and as such are valuable broadcasting and policing commodities. As complex audio-visual texts, cop shows can generate myriad meanings and messages. As cultural objects these programs also rely upon and generate expressions of national identity. Drawing on 25 interviews with policing students and serving and retired police officers, this qualitative research provides insight into how prospective, current and retired police interpret televisual representations of the profession. It was found that interviewees more deeply embedded in the police culture were more cynical of the public relations messages and contested the role of women, while aspirants to the profession were more likely to endorse depictions of a diverse work force. Although interviewees regarded Australian cop shows as reflecting national attributes and cultural context, they reflected on aspects of cop shows produced in other countries to articulate what locally produced cop shows were not.