Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era

Author:

Edgerton Gary1ORCID

Affiliation:

1. Butler University, College of Communication, USA

Abstract

This institutional-industrial analysis evaluates how Netflix’s post-2016 rebranding efforts resulted in its ongoing transition from a centrally-managed multinational corporation, based mainly in Silicon Valley, to a more decentralised transnational operation with multiple interconnected headquarters worldwide. Utilising a blended macro-micro critical perspective, Netflix’s October 2015 debut in Spain is examined as an inflection point for this subscription video on demand (SVOD) change agent, Spain’s then-traditional TV infrastructure and the transnational television industry. Netflix’s eventual integration into the Spanish television landscape and its transnational distribution of La casa de papel/Money Heist (2017–2021) serve as a two-fold object lesson into how glocal relations occur during TVIV.

Publisher

SAGE Publications

Subject

Communication,Cultural Studies

Reference78 articles.

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2. Netflix’s high-end global telefantasy: Conspicuous and virtual localism;Critical Studies in Television: The International Journal of Television Studies;2024-05-29

3. Las claves del éxito en streaming;VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual;2024-05-09

4. Tourist destinations masked in the symbolic constructs of «Money Heist» (Netflix, 2017-2021);Communication & Society;2024-04-25

5. Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series;Critical Studies in Television: The International Journal of Television Studies;2024-03-05

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