Affiliation:
1. University of Southampton, UK
Abstract
This article examines how the often juxtaposed concepts ‘natural birth’ and ‘medically assisted birth’ figure in Jordemødrene, Barnmorskorna and En unge i minuten: three Scandinavian documentary programmes depicting midwifery and childbirth. Through comparisons between US and UK birthing shows, the study considers the socio-historically specific construction of birthing practices and the figure of the midwife. Non-invasive approaches to labour are celebrated as symbols of an essential ‘women’s culture’ that asserts female agency, but medical technology and pain medication also figure as potential tools for female empowerment, thus rendering the midwife a malleable figurehead for multiple strands of feminism.
Subject
Communication,Cultural Studies
Reference19 articles.
1. Die große Liebe (1942) Rolf Hansen. Germany: Universum Film AG.
2. Reality TV
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