Abstract
The author explores how events in organisations are turned into stories. Three major types of story are identified and illustrated: the comic, the tragic, and the epic, as well as a number of hybrids. The emotions generated by these stories are explored as well as some of the meanings which they reveal. The author then discusses why people espouse particular stories with almost religious fervour and suggests that organisational stories are essentially fulfilments of unconscious wishes. In conclusion, he argues that stories and the `careers' which they pursue in organisations can illuminate that dimension referred to as the unmanaged organisation, where desires and pleasure predominate over rationality and expedience.
Subject
Sociology and Political Science
Cited by
65 articles.
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