Into the Hive-Mind: Shared Absorption and Cardiac Interrelations in Expert and Student String Quartets

Author:

Høffding Simon12ORCID,Yi Wenbo134ORCID,Lippert Eigil15ORCID,Sanchez Victor Gonzales16,Bishop Laura13ORCID,Laeng Bruno17,Danielsen Anne13ORCID,Jensenius Alexander Refsum13ORCID,Wallot Sebastian8

Affiliation:

1. RITMO Center for Interdisciplinary Studies in Rhythm, Time, and Motion, University of Oslo, Oslo, Norway

2. Department of Sport Science and Clinical Biomechanics, University of Southern Denmark, Odense, Denmark

3. Department of Musicology, University of Oslo, Oslo, Norway

4. Department of Psychology, McGill University, Montreal, Canada

5. Department of Space Research and Technology, Technical University of Denmark, Lyngby, Denmark

6. SINTEF, Oslo, Norway

7. Department of Psychology, University of Oslo, Oslo, Norway

8. Institute of Psychology, Leuphana University Lüneburg, Lüneburg, Germany

Abstract

Expert musicians portray awe-inspiring precision, timing, and phrasing and may be thought to partake in a “hive-mind.” Such a shared musical absorption is characterized by a heightened empathic relation, mutual trust, and a sense that the music “takes over,” thus uniting the performers’ musical intentions. Previous studies have found correlations between empathic concern or shared experience and cardiac synchrony (CS). We aimed to investigate shared musical absorption in terms of CS by analyzing CS in two quartets: a student quartet, the Borealis String Quartet (BSQ), and an expert quartet, the Danish String Quartet (DSQ), world-renowned for their interpretations and cohesion. These two quartets performed the same Haydn excerpt in seven conditions, some of which were designed to disrupt their absorption. Using multidimensional recurrence quantification analysis (MdRQA), we found that: (1) performing resulted in significantly increased CS in both quartets compared with resting; (2) across all conditions, the DSQ had a significantly higher CS than the BSQ; (3) the BSQ's CS was inversely correlated with the degree of disruption; 4) for the DSQ, the CS remained constant across all levels of disruption, besides one added extreme disruption—a sight-reading condition. These findings tentatively support the claim that a sense of shared musical absorption, as well as group expertise, is correlated with CS.

Funder

Norges Forskningsråd

Deutsche Forschungsgemeinschaft

Publisher

SAGE Publications

Subject

History and Philosophy of Science,Psychology (miscellaneous),Music

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