Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia

Author:

English Helen J.1ORCID,Davidson Jane W.2

Affiliation:

1. School of Humanities, Creative Industries & Social Sciences, University of Newcastle, Australia

2. Faculty of Fine Arts and Music, University of Melbourne, Australia

Abstract

In what ways can a community music education project based on historical re-enactment be a vehicle for transformational learning, empowerment and reconnection with community? In 2018, Serenading Adela was performed to celebrate and remember the 100th anniversary of a moment in history when women sang under the prison cell window of Adela Pankhurst, an anti-conscriptionist. The operatic work, which recruited 100 adult participants, was conceived and developed over almost 2 years and rehearsed for 5 months. The researchers were interested in participants’ motivations and their experiences of engagement with a story of historical injustice. Data were collected by holding interviews and focus groups and analysed using thematic analysis informed by Freirean concepts. Five themes emerged, indicating that the pedagogical approach and ideologies of the directors enabled and nurtured collaborative connections, personal growth, new perspectives, meaning-making and empowerment for a diverse group of adults.

Funder

Australian Research Council

Publisher

SAGE Publications

Subject

Music,Education

Reference30 articles.

1. History's affective turn: Historical reenactment and its work in the present

2. Campaign Choirs Writing Collective. (2019). “We got the power!” The political potential of street choirs. Soundings: A Journal of Politics and Culture, 73, 129–143. https://www.muse.jhu.edu/article/742557

3. Culture Victoria. (2016). Against the odds: The victory over conscription in World War One [Story].Author. https://cv.vic.gov.au/stories/a-diverse-state/against-the-odds-the-victory-over-conscription-in-world-war-one

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