Affiliation:
1. Academy of Performing Arts in Prague, Czechia
Abstract
With the help of screenshots, human and nonhuman actors alike document their professional and leisure encounters with screen-based technologies. In this article, I investigate how and why screenshots have come to be understood as faithful visual records of digital culture. By tracing screenshot’s origins to photographic techniques used for capturing medical imaging, oscillograms, and first applications of computer-aided design, I show a lineage of a straightforward mode of representation built on the assumptions of indexicality and iconic resemblance. However, this initially mechanical act of image reproduction has given rise to transformative practices of promotional and artistic screenshots (represented in this article by in-game photography), which subvert the conventions of accurate representation. By contrasting these visual phenomena, I argue for the redefinition of screenshot and show the need for critical literacy of screenshot-based images.
Funder
Ministry of Education, Youth and Sports of the Czech Republic – Institutional Support for Longterm Development of Research Organizations – Academy of Performing Arts in Prague
Subject
Arts and Humanities (miscellaneous),Communication
Cited by
8 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献