The effects of varying ratios of physical and mental practice, and task difficulty on performance of a tonal pattern

Author:

Cahn Dan1

Affiliation:

1. TECHNION INSTITUTE OF TECHNOLOGY, ISRAEL,

Abstract

Sixty undergraduate students who had completed at least one semester of jazz improvisation were assigned to either: (a) physical practice (PP); (b) mental practice (MP); (c) combined 66 percent PP and 33 percent MP (66%PP:33%MP); and (d) combined 33 percent PP and 66 percent MP (33%PP:66%MP) groups. Subjects were to perform a 3—1—7—5 tonal pattern over two difficulty levels of chord progressions. A pre-test, a three-minute practice session, and a post-test were performed for each progression. ANCOVA results revealed significant interaction between groups and task difficulty. Post-hoc t-test revealed superior results for both MP and 33%PP:66%MP on the easy task compared with the hard task. The four groups were collapsed into two groups: (a) PP and 66%PP:33%MP, both high in percentage of PP (HPP); and (b) MP and 33%PP:66%MP, both high in percentage of MP (HMP). Post-hoc t-test revealed a significantly superior performance of the HPP to that of the HMP on the hard task.

Publisher

SAGE Publications

Subject

Psychology (miscellaneous),Music

Reference23 articles.

1. Teaching Practice Strategies in the Music Studio: A Survey of Applied Music Teachers

2. Thinking in Jazz

3. Coker, J. (1991) Elements of the Jazz Language for the Developing Improviser. Miami, FL: Studio 224.

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