Dark tourism and Rwandan media industries: Promoting nation and the mythology of memory

Abstract

The purpose of this study is to delve into the range of ways that acceptable public discourse and reconciliatory language impact Rwandan memorial space and its various stakeholders. The goal is to interrogate the dissonance between the more commonly researched practices of Rwanda genocide tourism industry (the curated and controlled narratives formulated within the national memorial and its satellite sites) and that of the banal, every day, and even disavowed sites (such as unmarked burial and crematorium sites) of genocide that carry an immense amount of meaning within local communities. By looking at national genocide sites, as well as their “forgotten echoes” strewn across the Rwandan countryside, it is clear that multipurpose (and multi-meaning) use of public/private space in Rwanda problematizes simplistic unificatory narratives used by the government and international community.