Affiliation:
1. University of Illinois at Urbana-Champaign
Abstract
A critical reading of the “hood” movies of the past decade is offered. The author discusses the possibilities of a critical, ethnic cinema, a cinema that honors racial and cultural difference. Such a cinema operates as a political and pedagogical force in the cultural wars surrounding race in America today.
Subject
Arts and Humanities (miscellaneous),Cultural Studies
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Cited by
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