Abstract
This article presents a street educator's experience of a poetry cooperative with female street youths as an example of performance pedagogy. Poetic voices of members of the cooperative are used to illustrate the pages of this special issue of CSCM in the text of this article and as they are scattered through the pagesof this special issue like graffiti on tunnel walls. In a coda to the article, the poetry collaborative is shown to be the catalyst for At Home At School (AHAS), a larger, ongoing performance pedagogy curriculum in use with homeless children and youths.
Subject
Arts and Humanities (miscellaneous),Cultural Studies
Cited by
4 articles.
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1. Deconstrucción fílmica;HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades;2023-02-08
2. Performing to understand: cultural wealth, precarity, and shelter-dwelling youth;Research in Drama Education: The Journal of Applied Theatre and Performance;2017-01-02
3. We Cannot Do This Work Without Being Who We Are: Researching and Experiencing Academic Selves;Constructing Methodology for Qualitative Research;2016
4. Bibliographie;Zonards;2014-09-17