Abstract
The formulations of cultural sociology have a tendency to merge culture and the social so closely that they become indistinguishable from one another. Drawing on Foucauldian governmentality theory and actor network theory, this article argues that it is preferable to examine the processes through which culture is separated off from the social via the production of distinctive cultural assemblages.The kinds of issues that need to be taken into consideration to account for the work that goes into making culture as a publicly differentiated realm are identified. Attention then focuses on the kinds of work that culture does in being brought to act on the ‘working surfaces on the social’ that are organized in the relations between social and cultural knowledges. The argument is exemplified by considering how the assemblages of Aboriginal culture produced by Baldwin Spencer enabled the production of a new surface of social management through which the relations between white and Aboriginal Australia were organized in the context of the Aboriginal domain.
Subject
General Social Sciences,Cultural Studies
Cited by
42 articles.
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