Abstract
This article develops a non-reductive approach to celebrity, treating it as an iconic form of collective representation central to the meaningful construction of contemporary society. Like other compelling material symbols, the celebrity-icon is structured by the interplay of surface and depth. The surface is an aesthetic structure whose sensuous qualities command attention and compel attachment; the depth projects the sacred and profane binaries that structure meaning even in postmodern societies. While celebrity worship displays elements of totemism, it also reflects the eschatological hopes for salvation that mark post-Axial Age religion. The attacks on celebrity culture that inform critical public and intellectual thinking resemble iconoclastic criticisms of idol worship more than they do empirical social scientific study.
Subject
General Social Sciences,Cultural Studies
Cited by
92 articles.
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