An Urban Carnival on the City Walls: The Visual Representation of Financial Power in European Street Art

Author:

Baldini Andrea

Abstract

By discussing a selection of socially engaged street artworks from the Frankfurt-based project ‘Under Art Construction’, this essay sheds light on street art’s possibilities as a form of resistance against the power of globalizing finance. The author argues that through the use of carnivalesque strategies of irony and appropriation, street art can challenge the pretense of rationality of recent policies of austerity in the eurozone. Such a challenge exposes the contingency of spending cut programs. He finally suggests that, in debunking the myth of economic rationality, street art can change people’s experience of finance, while opening up a space for imagining alternative economic scenarios.

Publisher

SAGE Publications

Subject

Visual Arts and Performing Arts,Communication

Reference4 articles.

Cited by 7 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. What Is Street Art?;Estetika: The European Journal of Aesthetics;2022

2. Street art in urban space: location and perception in Ukrainian cities;Visnyk of V.N. Karazin Kharkiv National University, series Geology. Geography. Ecology;2021-12-01

3. Banal Terrorism: Re-Appropriating Terror-Prevention Concrete Bollards in Melbourne’s CBD;Journal of Australian Studies;2021-07-03

4. The Roles of Images in EU Politics;JCMS: Journal of Common Market Studies;2021-05-10

5. Cooking and dining as forms of public art;Food, Culture & Society;2021-04-16

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