Addressing the “Whys” of UK Children’s YouTube Use: A Purposes Approach

Author:

Scott Fiona1ORCID,Parry Becky1,Marsh Jackie1,Lahmar Jamal1,Nutbrown Beth1,Scholey Emilie1,Baldi Patrizia1,Law Lily2,Yamada-Rice Dylan3

Affiliation:

1. The University of Sheffield, UK

2. Dubit Ltd, UK

3. University of Plymouth, UK

Abstract

Despite the widespread use of YouTube by children, there has been limited research undertaken on the “why” questions of their use. Past theoretical approaches have framed these questions in terms of broader individual needs and their relation to media use, though this work has mainly focused on adults and adolescents. This article presents relevant findings from a mixed methods study of children’s (aged 0–16) uses of social media in the United Kingdom to consider instead the “purposes” of children’s YouTube use, drawing on: (1) an online family survey; (2) family case studies; (3) child focus groups; and (4) child telephone interviews. “Purpose” is theorized in the article in relation to the ways children themselves make sense of and articulate the reasons they use YouTube or, in the case of parents and carers, for allowing, facilitating, or encouraging their children to use YouTube. Parents tended to frame the purposes of children’s YouTube use more instrumentally, focusing on perceived educational benefits and their own convenience needs. While sharing a focus on instrumental purposes, children sometimes emphasized broader dimensions of purpose, with an increased focus on humor, sensory, and hedonic dimensions. Children’s responses also emphasized the autotelic nature of play. The study foregrounded the extent to which the purposes of others (such as commercial entities) are served by children’s YouTube use. Seven child-centered, parent-centered, and “other” purposes for children’s YouTube use are discussed: cognitive, corporeal, cultural, collaborative, creative, commercial, and convenience.

Publisher

SAGE Publications

Subject

Computer Science Applications,Communication,Cultural Studies

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