Affiliation:
1. Goldsmiths College, University of London, j.bajorek@gold.ac.uk
Abstract
This introduction to a special section on ‘Photography and the State’ reflects on trends in photography theory exemplified in essays by Jens Andermann, Ariella Azoulay, Andrea Noble, and Bronwyn Law-Viljoen. It suggests that the contributors make a powerful argument for photography’s emergent contribution to theories of the state and of sovereignty. It situates this work in the context of a growing body of scholarship (by theorists such as Natalia Brizuela, Paula Cortés-Rocca, Clare Harris, Chris Pinney, and Karen Strassler) attuned to photography’s role in political imagination in post-colonial and post-imperial spaces, and underscores movement of the field away from inter-subjective conceptions of photographic ethics and debates about indexicality.
Subject
General Social Sciences,Sociology and Political Science
Cited by
8 articles.
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