Affiliation:
1. Chelsea College of Art and Design, and the Architectural Association
Abstract
Our cultural climate is increasingly dependent upon visual space. Media and communication for the most part are exemplified through television and the Internet. Aural space has, for the moment, become an ambient presence. The aim of this article is to develop a phenomenological approach to interpreting our sonic environment by drawing upon a range of sound-scape theorists. I will, in some cases, provide a counter-argument to established theses, and in doing so endeavour to open up fresh debate for future sonic enterprises.
Subject
General Social Sciences,Sociology and Political Science
Cited by
73 articles.
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