Children of Omar

Author:

Griffin Farah Jasmine1

Affiliation:

1. Columbia University

Abstract

The history of black people in the United States is an epic saga of dislocation, dispersal, and dispossession. Consequently the instability, insecurity, and disruption that accompany displacement have been a persistent part of the black experience in the United States. The post-Katrina crisis confronted by black New Orleanians was yet another chapter in this ongoing saga. This article seeks to explore the ways in which the culture and music of New Orleans has functioned as a reservoir of human resilience and resistance. Specifically, in addition to reflections on the impact of enslavement, Jim Crow, and the Great Migration on the cultural history of black New Orleans, this article considers the cultural significance of the Crescent City in American history as one of the major reasons why issues of resettlement must be central to rebuilding efforts.

Publisher

SAGE Publications

Subject

Urban Studies,Sociology and Political Science,History

Reference13 articles.

1. Come Hell or High Water: Hurricane Katrina and the Color of Disaster by Michael Eric Dyson

2. Sidney Bechet, Treat it Gentle (New York: Da Capo , 2002), 6.

3. Salim Washington writes that for Bechet jazz is: "African music made American through the crucible of slavery, told in a remarkable romance that includes, slave owners, slaves, maroon communities, psycho-sexual expressions with respect to race, dismemberment and loss, disenfranchisement and other topics of historical and cultural significance." See Salim Washington, "Has Katrina Failed to Blow the Wool from Over Our Eyes? Why I Disagree with the New Jazz Orthodoxy," All About Jazz, November 9, 2005, http://www.allaboutjazz.com/php/article.php .

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1. A Story in Sound: The Unpublished Writings of Sidney Bechet;MELUS;2023-04-10

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4. Buying Beyoncé;Celebrity Studies;2010-07-28

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