1. Come Hell or High Water: Hurricane Katrina and the Color of Disaster by Michael Eric Dyson
2. Sidney Bechet, Treat it Gentle (New York: Da Capo , 2002), 6.
3. Salim Washington writes that for Bechet jazz is: "African music made American through the crucible of slavery, told in a remarkable romance that includes, slave owners, slaves, maroon communities, psycho-sexual expressions with respect to race, dismemberment and loss, disenfranchisement and other topics of historical and cultural significance." See Salim Washington, "Has Katrina Failed to Blow the Wool from Over Our Eyes? Why I Disagree with the New Jazz Orthodoxy," All About Jazz, November 9, 2005, http://www.allaboutjazz.com/php/article.php .