Abstract
This article is an analysis of the racial signifiers in two contemporary popular shows, Riverdance and Lord of the Dance. It argues that we need to understand the history of transatlantic Irish and African American exchange in order to comprehend the popular appeal of Celtic revivalism.
Subject
Arts and Humanities (miscellaneous),Education,Cultural Studies
Cited by
20 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献