Abstract
Reality TV invites new considerations for theorizing celebrity as a cultural commodity whose economic value is based on potential exchange. In this article, I argue that reality TV's construction of a new stratum of celebrity value—ordinary people performing “the real”—supports claims that the industry is moving toward a “flexible” model of economic organization. The production of reality TV expands the labor stock to include nonunionized, nonpaid or low-paid contestants playing themselves, while also displacing unionized actors from production opportunities. Moreover, reality TV's D-level celebrity generates novelty out of audience self-reflexivity with minimal risk and temporal flexibility. Celebrity value, as a mechanism to gather audiences, undergoes a new form of dispensable synergy that shelters the larger system of celebrity valorization from the dual problems of scarcity and clutter.
Subject
Visual Arts and Performing Arts,Cultural Studies
Cited by
61 articles.
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