Affiliation:
1. Monash University, Melbourne, VIC, Australia
Abstract
Concerns about the impending implementation of facial recognition technology in public and shared spaces go beyond privacy to include the changing relationship between space and power. This article explores the relationship between automated identification and social sorting, decision-making, and response. To develop a theoretical framework for considering the ways in which facial recognition technology reconfigures power relations, the article considers the effects of treating the face as what Harun Farocki calls an “operative image”: not a representation, but part of a sequence of operations. These operations deprive the face of its distinctive character to facilitate the automated governance of space. For Foucault, environmentality focused on the governance of populations, but digital technology individualizes and particularizes this process. Facial recognition technology raises issues of public concern not simply because it changes the conditions of privacy and recognition in shared spaces, but because it enables new modes of automated control.
Subject
Visual Arts and Performing Arts,Cultural Studies
Cited by
12 articles.
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