Affiliation:
1. University of Amsterdam, Amsterdam, Netherlands
Abstract
This article investigates whether social media in general—using Facebook as an example—warrant identification of a new public sphere, another private sphere, or a different corporate sphere, as some scholars have argued. It is argued that social media platforms neither warrant a recalibration of Habermas’ public sphere, nor a conscious blending of spheres. Rather, social media platforms form a contested space where private, public and corporate interests compete to produce new norms of sociality and connectivity. In order to understand the dynamics of social media, it is not enough to revamp existing social theory of networks, to polish up legal frames, or to reintroduce political-economic schemes. We need to connect these theories and come up with an analytical model that accounts for the complexities of the various interests interpenetrating the new space of mediated communication.
Subject
Visual Arts and Performing Arts,Cultural Studies
Cited by
107 articles.
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