Abstract
This article compares the debates and demonstrations about Darfur that have taken place in the Sudan, the United States, and Qatar and illuminates how political violence is apprehended and cultural identities are constructed. The rallies that occurred among Sudanese inside and outside the Sudan following the 2009 indictment of President Omar Hassan al-Bashir by the International Criminal Court (ICC) are particularly revealing. Examining what has been represented worldwide as the first genocide of the twenty-first century brings to light the ideologies that are expressed in impassioned political positions. Ideology, which implicitly undergirds the mixed emotions with which the ICC warrant was received, has been fundamental to the Darfur story from the start of the crisis in 2003. Describing Darfur in three distinct sociopolitical arenas, one sees various scenarios that are akin to a play with multiple actors and scenes, each of which is contextually mediated and expertly produced. The disconnections, ruptures, and shifts in the flow of this narration point to the disparities in the situational, local, regional, and transnational forces at work.
Subject
General Social Sciences,Sociology and Political Science
Cited by
12 articles.
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