Rethinking creativity: creative industries, AI and everyday creativity

Author:

Lee Hye-Kyung1ORCID

Affiliation:

1. King’s College London, UK

Abstract

This commentary reflects on how creativity is dehumanised (and rehumanised) and how its labour aspects are hindered (and highlighted) in the three recent developments in our understanding of arts, culture and creativity: the creative industries; AI creativity; and creativity in everyday life. The creative industries discourse instrumentalises and dehumanises creativity by hiding labour perspectives and treating creativity as human capital and a generator of IP. Meanwhile, contemplating AI creativity helps us to look beyond the economic paradigm and consider key traits of human creativity and the creation process, some aspects of which are successfully emulated by AI. Yet, we also observe how AI dissociates creativity from human agency and how its cost-cutting effect can challenge human creators in many sectors. Finally, the idea of everyday creativity effectively rehumanises and democratises creativity; however, it not only lacks labour perspectives but also hinders them.

Publisher

SAGE Publications

Subject

Sociology and Political Science,Communication

Reference31 articles.

1. ACE (2020) Let’s create: Our strategy 2020-2030. Available at: https://www.artscouncil.org.uk/letscreate (accessed 11 September 2021).

2. Artificial intelligence in the creative industries: a review

3. BBC (2018) After a piece of art ‘created’ by an AI sold for $430,000, Thomas Graham looks at what the age of the machine means for art. BBC, 12 December. Available at: https://www.bbc.com/culture/article/20181210-art-made-by-ai-is-selling-for-thousands-is-it-any-good (accessed 27 August 2021).

4. BBC (2021) Abba delight fans with new 10-song album and virtual concert. BBC, 2 September. Available at: https://www.bbc.co.uk/news/entertainment-arts-58423452 (accessed 10 September 2021).

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