Affiliation:
1. University of Amsterdam, The Netherlands
Abstract
As Brexit negotiations continue to draw criticism nearly two years on from the UK’s withdrawal from the European Union, many media outlets have concentrated on making sense of what has been dubbed the ‘Brexit circus’. In particular, significant media attention has been directed towards obstacles to Brexit’s progression, such as the issue of the border between Ireland and Northern Ireland and the ‘backstop’ arrangement. Through an examination of different media efforts to explain the border issue, this paper will discuss how conventional reporting methods have been unable to make this issue comprehensible to the individual. This paper will suggest that a hypertextual aesthetic form would provide a more effective means of making sense of the complexity of the border issue and its relationship to global political and economic structures. However, an understanding of the border issue also requires an understanding of the affective reality of life in this region and the history upon which this reality is founded. In this manner, this paper also argues that representational regimes capable of conveying affective realities could contribute important experiential dimensions to efforts to render dominant political and economic structures both cognisable and contestable.
Subject
Sociology and Political Science,Communication
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