Affiliation:
1. University of Waikato, Hamilton, New Zealand
Abstract
Media shifts in the past 50 years based on a late capitalist economics have profoundly affected how a film is produced, delivered, and received. In this article, I aim to examine two exemplar surf films— The Endless Summer (1964) and Slow Dance (2013)—as well as the surf film genre to note some of the ways these cultural artifacts have changed over time. I link these shifts to larger cultural shifts, and draw attention to several key strategies that these surf films utilize to remain topical to their audiences.
Subject
Sociology and Political Science
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献